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The Monday Book is on Tuesday this Month….

WRITE COMES TO THE CUMBERLANDS is a busy weekend for all of us, so we’re just getting back on schedule with the Monday Book.

Yes, I know; it’s Tuesday.

cover_pierTHE DIVE FROM CLAUSEN’S PIER by Ann Packer is about a couple on the verge of breaking up, except he has a terrible accident that leaves him paralyzed.

And she still breaks up with him. Because she’s found someone else.

That’s pretty much it, but you can imagine the stuff going on around that. This is a book where most of the action takes place inside people’s hearts.

The details in the book – she loves to sew, doesn’t have a lot of money, carefully parses money to make herself a sexy dress that kind of isn’t because she’s broken up with her boyfriend, but still – are lovely, subtle, not overwhelming, all undergirding the plot and characters.

This is really a character-driven plot, and each person is fully etched. Here’s a random sample of the kind of thing I mean: “Kilroy gave Simon an amused nod, but he crossed his arms over his chest, and some kind of inner turbulence seeped out of him.”

She’s got a nice, almost journalistic, way with her words, and her use of big themes like wealth vs. want, or love vs. lust, is set in almost embossed relief against the small day-to-day details of the lives she’s describing.

It also has a surprisingly satisfying ending, for this kind of book where somebody’s heart is going to get broken, no matter what. Avoiding cliche, it still brings resolution.

 

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WRITE COMES TO THE CUMBERLANDS

The Write Whisperer
(guest post by workshop attendee Lizbeth Phillips)

kizbethAccording to Flannery O’Connor, an epiphany is not permanent. After spending a day with Wendy Welch at WRITE COMES TO THE CUMBERLANDS, I have a new understanding of what O’Connor meant. Being an educator, I can come up with a hundred reasons a day to not make or take the time to write. For years, I have used it as an excuse to abandon essays, short stories, poems, and my first novel. No more!

Why? Because epiphanies are not permanent. Either you let them go or you do something so that whatever enlightening moment flashed before your eyes becomes intrinsically absorbed in what defines you. I am many things, especially a writer.

What did I learn at WRITE COMES TO THE CUMBERLANDS? First, excellent writing has strands of universal themes so that writers can connect to readers. We have to evaluate how words appear to the reader—just in case our notions are a bit alien.

But even before that, just get it down! Write the first draft without revision. Whether we start at the beginning or the middle, we have to write to the very end before we go back and restart. A first draft is not the final draft. After writing the first draft, evaluate the work and clarify. Add details to make the narrative and dialogue credible in the eyes of the reader. In other words, ask if my imagination transfers to the page so the reader sees the same movie I saw.

Becoming aware of the narrative arc and anticipating how to string a story along so that characters grow has released me from the big writer’s pit that equipped me with excuses not to finish my novel. I can now write straight dialogue without any narrative (and visa versa) and communicate to a reader.

I used to flounder on strong narrative and ruin dialogue or write dialogue at the expense of the narrative. Until today, I am not sure I had a handle on blending the two. If I am to move my novel along and not write myself into a corner, I have to create the proper mix! Writing is unforgiving. So are readers.

I came to the table with all kinds of reasons and excuses for not committing. When I left at the end of the day, I was an empowered writer.

If inspiration gleaned from attending WRITE COMES TO THE CUMBERLANDS were bit-coin currency, I would be the richest person on the planet right now. And since epiphany is not permanent, I’m going to spend my time cashing in on all that inspiration so it counts.

 

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